Cinema Scope

With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times

Cinema Scope

Editor’s Note

Last of the Independents • A Roundtable on Charley Varrick with Veronika Franz and Severin Fiala

Face the Music • Hamaguchi Ryusuke on Evil Does Not Exist

Deep Cuts • The First International Women’s Film Seminar

Your Own Hall of Fame • Alex Ross Perry on Videoheaven and Pavements

Open Source • Some Films by Ross Meckfessel

Objects of Desire • Rodrigo Moreno on The Delinquents

From the Vision to the Nail in the Coffin, and the Resurrection • Dimitris Athiridis on exergue – on documenta 14

Film Tourists in Los Angeles

Out of Time • The Videos of Tulapop Saenjaroen

The Sense of the Past • Terence Davies (1945–2023)

The World in Focus • Vincent Grenier (1948-2023)

Dead Slow Ahead • On Joe Pera

Now or Never

THE KILLER • David Fincher, US

KILLERS OF THE FLOWER MOON • Martin Scorsese, US

MENUS-PLAISIRS – LES TROISGROS • Frederick Wiseman, US

POOR THINGS • Yorgos Lanthimos, US/UK/Ireland

THE PRACTICE • Martín Rejtman, Argentina/Chile/Germany/Portugal

PRISCILLA • Sofia Coppola, US

Pale Shibboleth • Will Hindle’s Chinese Firedrill